Sass-a-brass trumpets representation as demand grows for its roving queer street performances
June 18, 2024 | Ben Wolf
When Rosie O’Brien first organized a queer street parade brass band — specializing in Mardi Gras and Pride vibes — the sousaphonist-turned-arts leader had no idea the cultural impact and representation Sass-a-brass could bring to Kansas City.
Members of Sass-a-brass pose at a June performance; photo courtesy of Sass-a-brass
“The first time we got together as a band was for the first Lawrence pride parade in 2018,” explained O’Brien. “It was small, it was cute.”
As word of mouth grew, so too did the band’s roster of musicians — now at about 30 who rotate between events when they’re available. And while O’Brien had initially hoped to play just one or two pride parades each year, Sass-a-brass is now on track to finish 2024 with nine performances — including its recent appearance at Boulevardia — under the band’s belt.
The scale of Sass-a-brass’ shows ranges from KC’s biggest to smaller performances like a recent block party commemorating Womontown, a historic Kansas City safe haven for lesbians in the 1980s and 1990s.
Each member of the band comes from different backgrounds and musical skill levels, O’Brien said, noting that diversity contributes to the appeal and success of Sass-a-brass.
Click here to learn more about the history of Sass-a-brass.
Style and substance
Sass-a-brass is an “unamplified roving street parade band,” O’Brien said. Because band members’ instruments don’t need microphones, they can walk and play at the same time, as well as encouraging crowd participation.
“The general interest from the band is to make fun music that also has a liberatory thesis,” O’Brien explained. “So not only do we play New Orleans-style street parade and jazz music with the improv tradition, but we also do arrangements of protest tunes and union organizing songs.”
“Our mission is to create a supportive environment for queer and women musicians to play and perform together in a band,” O’Brien continued, noting that in Kansas City specifically, a lot of the jazz scene is male dominated.
Click here to follow Sass-a-brass on Instagram.
2024 Startups to Watch
stats here
Related Posts on Startland News
Pipeline pilots new ‘Pathway’ cohort to boost womxn, minority, rural founders into scaling position
Editor’s note: Pipeline Entrepreneurs, a network and fellowship of high-performing entrepreneurs in the Midwest, is a community partner and financial supporter of Startland News. A new fellowship program designed exclusively for underserved entrepreneurs is expected to help better prepare founders who identify as womxn, minority, or are leading a business in a rural community to…
Exclusive listen: Coffee entrepreneur, bandmates tease new music, how they find harmony between notes
Golden Groves was ready to pour its music for audiences in 2020, but when stages across the world — including Boulevardia in Kansas City — went dark, members of the local indie rock band refined their flavor. “Our collective history is with jazz and rock in roll, but we each bring in our own unique musical…
In the Black: Why Venture Noire is bringing capital resources from Arkansas to KC’s founders of color
It’s time Black-led companies went from over-mentored and under-resourced to well-connected and infused with capital, Keenan Beasley said, announcing plans for establishing more equitable entrepreneurial ecosystems that begin, in part, with a presence in Kansas City. “Kansas City is a very mature market,” Beasley, founder of Venture Noire, said of what he’s observed among the…
Comeback KC Ventures launches program to fund, accelerate COVID solutions in region
A new Kansas City-based program is recruiting 20 fellows — from among the metro’s first-time entrepreneurs and established businesses — for an effort to help accelerate innovations, products or service lines that are solving needs exposed by the pandemic. “The public health crisis posed by COVID-19 ignited a need for rapid change and innovation,” said Jim…