Sass-a-brass trumpets representation as demand grows for its roving queer street performances
June 18, 2024 | Ben Wolf
When Rosie O’Brien first organized a queer street parade brass band — specializing in Mardi Gras and Pride vibes — the sousaphonist-turned-arts leader had no idea the cultural impact and representation Sass-a-brass could bring to Kansas City.
Members of Sass-a-brass pose at a June performance; photo courtesy of Sass-a-brass
“The first time we got together as a band was for the first Lawrence pride parade in 2018,” explained O’Brien. “It was small, it was cute.”
As word of mouth grew, so too did the band’s roster of musicians — now at about 30 who rotate between events when they’re available. And while O’Brien had initially hoped to play just one or two pride parades each year, Sass-a-brass is now on track to finish 2024 with nine performances — including its recent appearance at Boulevardia — under the band’s belt.
The scale of Sass-a-brass’ shows ranges from KC’s biggest to smaller performances like a recent block party commemorating Womontown, a historic Kansas City safe haven for lesbians in the 1980s and 1990s.
Each member of the band comes from different backgrounds and musical skill levels, O’Brien said, noting that diversity contributes to the appeal and success of Sass-a-brass.
Click here to learn more about the history of Sass-a-brass.
Style and substance
Sass-a-brass is an “unamplified roving street parade band,” O’Brien said. Because band members’ instruments don’t need microphones, they can walk and play at the same time, as well as encouraging crowd participation.
“The general interest from the band is to make fun music that also has a liberatory thesis,” O’Brien explained. “So not only do we play New Orleans-style street parade and jazz music with the improv tradition, but we also do arrangements of protest tunes and union organizing songs.”
“Our mission is to create a supportive environment for queer and women musicians to play and perform together in a band,” O’Brien continued, noting that in Kansas City specifically, a lot of the jazz scene is male dominated.
Click here to follow Sass-a-brass on Instagram.
2024 Startups to Watch
stats here
Related Posts on Startland News
Silicon Valley vet Jason Anderson makes a game out of data collection
As a 4-year-old, Jason Anderson was captivated by the Atari classic Pong. He gawked at the game for hours after his dad brought one home in 1978. Four years later, he was so inspired by Pong that he decided to create his own game — a text adventure on the family’s Timex Sinclair 1000. Anderson…
Compute Midwest named top national tech conference
Consistently attracting futurists and tech leaders from around the U.S., Compute Midwest recently was named a national tech conference that shouldn’t be overlooked. Inc. Magazine included the annual, Kansas City-based conference on its “Top Tech Conferences You Can’t Miss This Fall” list, noting the event’s traditionally strong lineup of speakers. Presented by the Disruption institute,…
Dozens of skyrocketing KC firms break into the Inc. 5000
Kansas City held its own on Inc. Magazine’s annual ranking of the nation’s fastest-growing, private companies. The Wednesday unveiling of the Inc. 5000 featured 44 metro firms — including several area tech firms, like k12itc and Rhythm Engineering. K12itc, which in January made Startland’s 2016 top 10 startups to watch, delivers cloud-based IT services to…
Backstitch wants to fix a billion-dollar communication dilemma
With the cost of poor business communication climbing as high as $37 billion a year, Backstitch founders Jordan and Stefanie Warzecha saw an opportunity to clear the air. The married couple — who say communication has never been a problem for them — founded their corporate communications platform in 2012. Backstitch aims to mitigate the…