Sass-a-brass trumpets representation as demand grows for its roving queer street performances
June 18, 2024 | Ben Wolf
When Rosie O’Brien first organized a queer street parade brass band — specializing in Mardi Gras and Pride vibes — the sousaphonist-turned-arts leader had no idea the cultural impact and representation Sass-a-brass could bring to Kansas City.
Members of Sass-a-brass pose at a June performance; photo courtesy of Sass-a-brass
“The first time we got together as a band was for the first Lawrence pride parade in 2018,” explained O’Brien. “It was small, it was cute.”
As word of mouth grew, so too did the band’s roster of musicians — now at about 30 who rotate between events when they’re available. And while O’Brien had initially hoped to play just one or two pride parades each year, Sass-a-brass is now on track to finish 2024 with nine performances — including its recent appearance at Boulevardia — under the band’s belt.
The scale of Sass-a-brass’ shows ranges from KC’s biggest to smaller performances like a recent block party commemorating Womontown, a historic Kansas City safe haven for lesbians in the 1980s and 1990s.
Each member of the band comes from different backgrounds and musical skill levels, O’Brien said, noting that diversity contributes to the appeal and success of Sass-a-brass.
Click here to learn more about the history of Sass-a-brass.
Style and substance
Sass-a-brass is an “unamplified roving street parade band,” O’Brien said. Because band members’ instruments don’t need microphones, they can walk and play at the same time, as well as encouraging crowd participation.
“The general interest from the band is to make fun music that also has a liberatory thesis,” O’Brien explained. “So not only do we play New Orleans-style street parade and jazz music with the improv tradition, but we also do arrangements of protest tunes and union organizing songs.”
“Our mission is to create a supportive environment for queer and women musicians to play and perform together in a band,” O’Brien continued, noting that in Kansas City specifically, a lot of the jazz scene is male dominated.
Click here to follow Sass-a-brass on Instagram.
2024 Startups to Watch
stats here
Related Posts on Startland News
Rally unifies voices amid attacks on immigrants, LGBT+ rights; now it’s time to make noise, organizers say
As anti-immigrant rhetoric and policies seeking to dismantle DEI efforts ramp up, Danny Soriano has seen inquiries and communication to his digital media business noticeably slow down, the Latino entrepreneur said. “Clients [suddenly seem] deterred from going with me — as opposed to somebody who’s not of color or white,” explained Soriano, the founder of…
Rooftop Austin’s Bar & Grill just one step in unlocking Olathe’s ‘downtown renaissance’
A century-old building in downtown Olathe will get new life as an indoor/outdoor restaurant complex known as County Square Commons — anchored by the popular Austin’s Bar & Grill. LANE4 Property Group and Austin’s are redeveloping the 10,859-square-foot building, which is expected to feature four or five storefronts on the street level at 114 to 126…
Concert: Black rockstars don’t just exist — they innovated the genre; how KC artists are still (song)writing history
A rock concert Friday at the newly opened Zhou B Art Center in Kansas City does more than place Black artists center stage for one night, said Malek Azrael; it spotlights that Black creatives belong in every musical space. “There is such a beautiful, Black presence in Kansas City and rock,” said Azrael, who is…
Blackhole Bakery plans bodega-style expansion for second location: a West Plaza ‘blank canvas’
During his five years operating on Troost, Jason Provo said real estate agents often approached him, asking, “When are you going to leave and get a big boy spot in Leawood?” Now the owner of beloved Blackhole Bakery is planning his second location. But not in Johnson County. Provo is taking over a space at…