Sass-a-brass trumpets representation as demand grows for its roving queer street performances
June 18, 2024 | Ben Wolf
When Rosie O’Brien first organized a queer street parade brass band — specializing in Mardi Gras and Pride vibes — the sousaphonist-turned-arts leader had no idea the cultural impact and representation Sass-a-brass could bring to Kansas City.
Members of Sass-a-brass pose at a June performance; photo courtesy of Sass-a-brass
“The first time we got together as a band was for the first Lawrence pride parade in 2018,” explained O’Brien. “It was small, it was cute.”
As word of mouth grew, so too did the band’s roster of musicians — now at about 30 who rotate between events when they’re available. And while O’Brien had initially hoped to play just one or two pride parades each year, Sass-a-brass is now on track to finish 2024 with nine performances — including its recent appearance at Boulevardia — under the band’s belt.
The scale of Sass-a-brass’ shows ranges from KC’s biggest to smaller performances like a recent block party commemorating Womontown, a historic Kansas City safe haven for lesbians in the 1980s and 1990s.
Each member of the band comes from different backgrounds and musical skill levels, O’Brien said, noting that diversity contributes to the appeal and success of Sass-a-brass.
Click here to learn more about the history of Sass-a-brass.
Style and substance
Sass-a-brass is an “unamplified roving street parade band,” O’Brien said. Because band members’ instruments don’t need microphones, they can walk and play at the same time, as well as encouraging crowd participation.
“The general interest from the band is to make fun music that also has a liberatory thesis,” O’Brien explained. “So not only do we play New Orleans-style street parade and jazz music with the improv tradition, but we also do arrangements of protest tunes and union organizing songs.”
“Our mission is to create a supportive environment for queer and women musicians to play and perform together in a band,” O’Brien continued, noting that in Kansas City specifically, a lot of the jazz scene is male dominated.
Click here to follow Sass-a-brass on Instagram.
2024 Startups to Watch
stats here
Related Posts on Startland News
Level Office puts coworking space on tap in former law building (Photos)
Windows from the community coworking space in Level Office’s seven-floor Kessler Building offer an up-close view of the Jackson County Courthouse, Sprint Center and downtown Kansas City. That proximity to the 16th Circuit Court, the court of appeals and the Jackson County Detention Center makes Chicago-based Level Office a magnet for men and women in…
Former Netchemia CEO, KC venture capitalist launch new fund for Midwest software firms
Keith Harrington isn’t looking for hockey-stick growth companies. With the new fund he’s co-leading — Novel Growth Partners — Harrington wants to invest in small, steadily-growing tech companies in the Midwest. But instead of a traditional venture capital model, Novel is employing a revenue-based finance model that should appeal to more entrepreneurs, Harrington said. “We believe that…
1 Million Cups celebrating black startups with all black founders, experts in February
A lineup of all black presenters and experts at February’s 1 Million Cups events aims for exposure and awareness about Kansas City’s thriving community of black entrepreneurs, said Adrienne Haynes. “Many of these companies are not necessarily tech-based. They might not be at Plexpod or WeWork. Many of them have their own facilities — maybe…
Listen: Behind the scenes interview with Hyperloop One exec on Missouri plan
By now you’ve likely seen that Missouri is a top five favorite to land a Virgin Hyperloop One route. If built in Missouri, the tubular transportation system would move people from Kansas City to St. Louis in 30 minutes, creating a mega-region that combines the state’s biggest cities, said Dan Katz, director of global public…