More social, less media: KC startup launching platform with no ads, algorithms or addiction
September 24, 2020 | Channa Steinmetz
As the Digital Age flourishes with hundreds of millions of people on TikTok, Instagram, Twitter and other social media platforms, Grandview-based The Jump hopes to change the culture behind news and user feeds.
Founders: Peter McClung, Jermey Charbonnet, Michael De Vincenzi
Founding year: Spring 2016
Amount raised to date: $5M
Noteworthy investors: N/A (Privately funded)
Current employee count: 15
Elevator pitch: The Jump is a healthy social media platform where people can get together and share the things they enjoy and have in common.
The pitch: Create a healthier, positive place online where people can bond over common interests and form authentic relationships, said Peter McClung.
“I wanted to take an approach that really valued individuals and the things they enjoy,” explained McClung, co-founder of The Jump. “It’s striking when you look at some of the health effects of social media on people’s lives. A lot of the core problems with social media is how it’s been created to drive addiction, and in some ways, really just sell ads and make money.”
The Jump has not revealed details of its own revenue model, but its team — led by McClung and co-founders Jeremey Charbonnet and Michael De Vincenzi — pledges it will “never adopt the traditional interruption model used by almost every other platform.”
“We’d love to tackle that elephant in the room, but our revenue model is still in “stealth mode,” according to the company, which indicates revenue will be tied to partnerships between brands and creators.
Click here to learn more about The Jump.
Customizable features
To put power back in the hands of the user, The Jump contains no algorithms dictating what appears on a person’s feed. The display simply features friends and groups the user chooses to follow.
“In a feed, there’s normally an ad and an algorithm behind what you get; but with ours, we actually have a feed that you can customize,” McClung said. “No programming is deciding what you see.”
A filter bar allows users to explicitly follow friends and groups — or to filter out specific words. If someone didn’t want to receive content on politics, for example, they could filter out such words as “Trump” and “Biden,” McClung explained.
The Jump has both private and public groups that users can join to see posts and to post to others in the group. Public groups range from woodworking and Lego building to plant-based recipes. A “jump” is generated from within a group that one belongs to, inviting them to participate in a group activity — the goal is to connect both on and off the app, he continued.
“There’s local, private groups too, like the Olathe Northwest football team,” McClung noted. “They’re in their third football season of using The Jump. It’s great because it brings all the players, coaches and parents together to communicate in a really efficient way.”’
Another factor that sets The Jump apart from other social media platforms: no advertisements on the app. The Jump also does not collect and sell user’s data, McClung said.
“There’s a saying that, ‘If you’re not paying for it, then you’re the product,’” he continued. “A lot of people accept that, but they don’t know how far it goes.”
Branding on social media needs to see a shift in how products are advertised, McClung said. Rather than fueling insecurities, brands should engage with consumers in a healthy and authentic manner, he added.
“Over 130 billion dollars are spent on digital advertising in the U.S. every year,” McClung noted. “That is a massive opportunity to use that money in a more effective and engaging way … For example, we have a group of people connected to football. Nike could create content that would be helpful for players and coaches, and then share those materials.”
Click here to read more about The Jump’s unique features.
Creating a positive culture
The Jump’s project architect, Natalie Morgan, grew up on social media — even joining Facebook within the first six months of it launching, she said.
“When you look at Facebook, it sells your data and has a lot of predatory methods,” Morgan said, referring to the company’s former president Sean Parker’s comments on purposefully exploiting human psychology in order to get users addicted. “That doesn’t set up a user for success.”
Movements such as #BanFacebook or boycotting social media have arisen, but Morgan said she doesn’t see that as an answer.
“I think people still need to connect; they still want to know what their friends and family are doing,” she said. “And by implementing positive tools and having a foundation of positive intentions, we can flip the script on a lot of social media culture.”
The target audience for The Jump: people interested in connecting with others in an uplifting, authentic way, McClung said.
“We’ve seen [internet trolls] come onto our platform and post something negative,” he recalled. “Then other people will reply with, ‘Hey, this isn’t Facebook — be nice.’ Our product is architected so that our brand and culture is based in positivity.”
The Jump is free to download and can be found on Google Play or the App Store.
Featured Business

2020 Startups to Watch
stats here
Related Posts on Startland News
Her fund targets investments for women of color; why this VC is fighting a lawsuit that would curb equity-focused funding
The fight for equity — especially among Black and brown entrepreneurs — isn’t easily won, said Ayana Parsons, likening the setback-laden struggle to a boxing match that seemingly never ends. “There are many rounds,” Parsons recently told a Kansas City crowd gathered at Burns & McDonnell’s campus for an event to honor diverse legacies. Parsons’…
West Coast health tech company bringing dozens of jobs to new River Market headquarters in KC
A West Coast health tech startup’s relocation to Kansas City is expected to give the company direct access to key clients in the region — as well as creating 35 high-paying jobs, representing more than $3 million in annual payroll, regional officials announced Thursday. Orange County, California-based Hart, Inc. plans to transition its operations to new…
$100K in federal funds take stage at Kansas City theater forced to relocate because of COVID
Challenges from the COVID-19 pandemic continue to impact the arts, said Evie Craig, whose organization was forced to relocate because of an unexpected revenue drop caused by the global health crisis. A recently announced $100,000 in American Rescue Plan grant funding from the Entertainment Industry Grant Program administered by the State of Missouri Department of…
KC Restaurant Week breaks down silos between diners, Kansas City’s chef-driven food scene
One of Johnson County’s favorite destination culinary experiences is back on the menu for Kansas City Restaurant Week, a 10-day showcase of innovative tastes from kitchens across the metro. “It helps the food industry,” said Laura Favela, executive chef at Silo Modern Farmhouse, said of the highly-anticipated, post-holidays event series. “The second goal is to…



